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So Danielle turned down a lucrative tour with Cee Lo Green, and the sisters spent a year writing and recording in a friend’s home studio, learning studio craft, and coming up with something that feeds off classic rock but sounds utterly of the moment. One of the oddest things about Haim is that they are like two bands in one. They really rock live, guitars blazing, occasionally showing off their showband roots with swaggering cover versions (they ripped through Peter Green-era Fleetwood Mac’s Oh Well at Glastonbury). But on record, what they are doing is much more slippery, tuneful hooks emerging through a welter of cross harmonies. “I think we’re still figuring out our vibe and learning how to make what we hear in our heads, and that takes time,” says Danielle. The album was supposed to be released earlier in the year to capitalise on the growing buzz but it wasn’t ready.
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