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□投稿者/ Terrance -(2018/02/06(Tue) 12:45:46) [ID:EwvWBcmf]
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      Earlier in life, before the 1st World War, Bart坦k was a very different composer. He had a much more luxuriant sound-palette, influenced by Richard Strauss and Debussy. However the folk-influences were already there, and the fondness for Hungarian speech-rhythms. You can hear them at around 1.06 in this movement from his 1914 ballet The Wooden Prince, which was one of Bart坦k’s few public triumphs. I know people who love these early Bart坦k works, and wonder why he had to become so dissonant and austere in his later works. But that’s the sign of a great artist. Bart坦k was willing to renounce certain things which had made him popular, to clear a path to somewhere new.
     

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