| I'll put him on http://www.rodsparkes.co.uk/index.php/stmap_25ews9w.html?cialis.aristocort.domperidone.accupril costochondritis lidoderm Shalev’s prose is heavy going, and her habit of avoiding speech marks means that the reader sometimes struggles to distinguish between thought and speech – perhaps a deliberate tactic to show how the characters’ inner worlds are so rich that they threaten to bleed into reality, but irksome none the less. Her preference for endless sentences held together by numerous commas renders her prose a cascade of thoughts which, while mirroring the jumble of her characters’ restless minds, does not make for smooth or even engaging reading. The same goes for her constant determination to wring masses of significance out of simple exchanges (nearly two pages are spent describing a hug between Dina and her daughter), which will quickly become galling for any reader who prefers action to analysis.
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