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I had no reservations about the final performance, of Shostakovich’s Tenth Symphony. It was a brave move, to take on a piece of such unremitting tragic seriousness, and Gergiev had clearly coached the players carefully, not just in the playing of the notes but in their meaning. One felt real understanding in the bleached-out sound of the first movement’s waltz, coming from some region “too deep for tears”. Gergiev was clearly proud of his talented fledglings, and he was right to be.
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