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  Much of the crowd-pleasing delight of this reinvention of Goldoni’s A Servant to Two Masters lay in the deft invention of Richard Bean’s adaptation, Hytner’s direction and the physically limber virtues of the ensemble. But it was one man who made it a must-see. In a loud check suit, James Corden swaggered into view as theatreland’s clown-in-chief, playing a skiffle musician who finds fretful employment with both a young woman disguised as her own dead twin brother and the posh public school silly ass she loves (even though he has her brother’s blood on his hands). Charles Spencer exclaimed in delight: “Corden, with a face like an enormous potato and a physical dexterity that is astonishing in one so corpulent, brings a winningly warm and harassed humanity to the role.” This was a feelgood hit that helped audiences by the coachload through the dark tail-end of the recession.