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Nothing on show at Raven Row can suggest this viscousness, although Pierre Huyghe’s installation L’Expedition scintillante, in which smoke rises out of a pool of light to the sound of Satie’s Gymnop辿dies comes closest. Otherwise the displays are solidly archival, charting a fascinating range of artefacts from Sigmar Polke’s photograph of magic mushrooms and Robert Horvitz’s infinity spirals to documentation of David Medalla’s pioneering “happenings” at the Roundhouse in 1967 and the film of a hilariously camp play satirising the wedding of President Nixon’s daughter performed by a drug-fuelled group called The Cockettes.
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